Tony Albert Sorry 2008 |
Monday 12 February 2018
Tony Albert
Janet Laurence
Janet Laurence Matter of the Masters |
Janet Laurence’s work echoes architecture while retaining organic qualities and a sense of instability and transience. Her work occupies the liminal zones or meeting places of art, science, imagination and memory. Profoundly aware of the interconnection of all life forms, Laurence often produces work in response to specific sites or environments using a diverse range of materials. Alchemical transformation, history and perception are underllying themes in her exhibition work. Read more
Christian Boltanski
DORIS SALCEDO
Doris Salcedo Atrabiliarios 1992-1997 |
Tom Nicholson
On 30 August 1999 East Timorese voted overwhelmingly to become an independent nation in a ballot sponsored by the UN. Following the announcement of the result, occupying Indonesian troops carried out systematic destruction throughout East Timor. Within two weeks several thousand civilians were murdered (a precise number is unknown), 200,000 were forcibly transported to concentration camps in West Timor and other parts of Indonesia, and most significant infrastructure was destroyed.
Books were targeted for destruction. Libraries were systematically burned, amongst them the widely-used university library and the English library in Dili. Private collections of books were targeted, and in notable cases book collections of prominent intellectuals and independence activists were collected on the street where they were publicly set alight. In villages, schools were systematically destroyed.
Action for another library was established in Melbourne in response to these circumstances. Thousands of books were donated by bookstores, libraries, and individuals. They were shipped to Dili in containers where they now form part of the nascent National University Library of East Timor. Read more
Tom Nicholson After action for another library 2010 |
TONY CRAGG
Tony Cragg New Stones – Newtone’s Tones, 1978, plastic. |
“I use everything but, preferably, after it has been used by man… what interests me is the special critical appraisal that we apply to manmade objects and man’s activities.It’s a real problem; the world is full of manmade objects. It’s about time we stopped producing and started clarifying and reevaluating the objects we have put into the world. The situation now has a political dimension. It no longer has anything to do with political structures but is related to the very nature of this critical search”.
Tony Cragg interviewed by Demosthenes Davvetas, 1985
Tony Cragg |
Sunday 11 February 2018
Saturday 10 February 2018
Friday 9 February 2018
Hanne Darboven
From Hanne Darboven's collection, displayed as found in one room in her family home in Hamburg |
see more of: Magnificent Obsessions - The Artist as Collector at the Barbican Art Gallery 12 February – 25 May 2015
more images at: Creative Review
Tuesday 9 January 2018
Chris Burden
Chris Burden [1946-2015] All the Submarines of the United States of America 1987 |
Friday 5 January 2018
WORSAAE
Worsaae Drawing 1
Worsaae, under the commission of Christian VIII of Denmark, spent nine months travelling around Britain and Ireland during 1846 and 1847. One of the most famous Scandinavian antiquarians of the nineteenth century, he had spent time visiting Sweden, Austria, Germany and Switzerland during the preceding years. The terms of his royal commission, as they related to his tour of Britain and Ireland, primarily focused on an investigation of the Viking-age antiquities and monuments of Scandinavian character. He published the results of his work as Minder om de Danske og Nordmændene i England, Skotland og Irland in 1851 with an English translation, entitled An Account of the Danes and Norwegians in England, Scotland, and Ireland, appearing in 1852. In this work Worsaae virtually created the concept of the "Viking Age". This work contains 12 drawings in which his found objects are grouped and identified, and known as the Worsaae Drawings.
key to Worsaae Drawing 1
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